If I do die, and you choose to continue what I’ve started, please be careful. If that’s the case, I need you to know how much your friendship has meant to me. In spite of all my planning there’s a chance I won’t come out of this alive. Here's an except from the story (it's from Holly's message): "I have done the best I can, Ralph, but it may not be enough.
Very little else is known about the story right now. In it, Ralph Anderson receives a flash drive containing two folders: One has photos and audio spectrograms and the other is a spoken-word diary from Holly. One Season 2 option here is to adapt the sequel novella to The Outsider that Stephen King has coming out as part of his new collection, If It Bleeds, which is due in May. Naturally, that's never stopped anyone, especially HBO, from taking things further, even beyond a book (see: Big Little Lies).
#Psycho 1998 post credits series
What Could The Outsider Season 2 Be About? The Outsider has been billed as a limited series from the get-go. Therefore, odds are good that it's a wound she suffered from the cave collapse. Is it a signal to the viewer that the scratch is real, or is all of this just the show being a bit playful during its final seconds? For this scratch to be real, meaning from El Cuco, we'd have to believe that the entity somehow got close enough to Holly to do it (which it didn't in the episode) and that Holly also wouldn't have noticed it (which she totally would have). Is that a sign that something supernatural is taking place? That's what Ralph thought when he heard it for a second time, years after his mom passed. It's rarely played on the radio, but here it is, being broadcast for Holly. We see it while she's listening to “Washington Square” by The Village Stompers, which is the song from Ralph's anecdote about his mother. The same type of scratch that El Cuco dishes out. Is she seeing Jack because she's scratched, or is this just run-of-the-mill El Cuco nonsense? Holly's Scratch It's hard to catch but, as you can see above, Holly's arm has a scratch. What does it mean that Jack isn't the Jack she spent the most time with (though she did get picked up by Jack and taken to a diner before his face was bashed in)? Is this a sign that he's a vision brought about by El Cuco? If true, that means El Cuco survived.
This was the Jack before El Cuco had him beaten up by a phantom (in the form of his late mother). So Holly's quick ghost may have come from her still being shaken up - and, of course, mourning the death of Andy. She needs to know if she's been poisoned and made El Cuco's next "Renfield." She's all clear and clean, but what was that vision about? One of the major themes of The Outsider is trauma - from the death of Ralph's son to the counselor he has to see after firing his weapon to the way El Cuco feeds off the sorrow in the aftermath of the tragedies it causes. Very quickly, because she's all about the rules of the beast, she checks her neck for bubbles and scarring. Holly's Vision of Jack Back home in Chicago, Holly catches a brief glimpse of Jack standing behind her while she's looking at herself in a bathroom mirror. The two brand new studio tracks are another treat for longtime fans, and while "Selling My Soul" is rather mundane, "Psycho Man" is absolutely incredible thanks to its slow intro and raging final riff.YES NOYou can read IGN's Outsider finale review here, but for the purposes of this piece we're just focusing on the post-credits scene, and where the show might be able to go for a Season 2. This patience is crucial, since such Sabbath staples as "Sweet Leaf," "Black Sabbath," and "Snowblind" owe much of their unique personality and somber atmospherics to the band's trademark "snail's pace." "Children of the Grave" proves itself once again as one of the band's most dependable live favorites, and the massive riffs of "Into the Void" are simply timeless. The real key to this album, however, is the band's ability to avoid the most common pitfall of live recordings: speeding up the songs. With this in mind, the band must be commended on the excellent quality of the recordings, which include their most enduring classics ("War Pigs," "Paranoid," "Iron Man"), as well as a few surprises ("Dirty Women," "Behind the Wall of Sleep"), and were culled from a series of concerts in their native Birmingham in December 1997. 1980's Live at Last was released without their permission, and 1982's Live Evil featured then-singer Ronnie James Dio. Though it was conceived as a mere cash-in for the long-awaited return of the original Black Sabbath, 1998's Reunion is as close to an official live album as the band has had in their historic 30-year career.